Ear Never Sleeps

Why is that? There is no such thing as eyelids for ears that could just cut you off the sound. Researchers at Vanderbilt University in Nashville, Tennessee, have found that while you are asleep, the only body part that remains active is the ear.
See more: Perception of Sound — Ear Never Sleeps

This website is a subjective, audiovisual essay about our sonic perception and issues connected with hearing. It is a place on the web bringing your attention towards the soundscape and the auditory perception marginalised in the oculocentric reality of visual culture.
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Perception of sound

Sound & space
Hearing & listening
Ear never sleeps
Two ears = two channels
Audio-visual synchronization
Sound as a message

[…] Our senses’ most fundamental task is not simply to entertain or distract us, but to situate ourselves within our surroundings. By enabling each of us to understand where we are, our senses allow us to understand who we are, as individuals located within networks of physical and social connections.

Ways of Hearing, Damon Krukowski

Signal is whatever sound we are trying to pay attention to. That’s a constantly shifting target – picture yourself in a crowded restaurant. Your dinner partner is saying something across the table that you want to hear; that’s signal, and everything else in the restaurant is noise. But then someone at another table says something of interests to you – as you eavesdrop, that voice becomes signal, and whatever is being said at your table is now the noise.

Dr. Alicia Quesnel in: Ways of Hearing, Damon Krukowski

Hearing is the passive basis of listening.
Hearing is involuntary. Hearing protects us from unseen dangers. We can hear without listening. Unconsciousness: we choose to listen inwardly or outwardly to the past, present or future. Consciousness: listening actively directs one’s attention to what is heard, to the interaction of the relationships of sounds and modes of attention. We hear in order to listen. We listen in order to interpret our world experience meaning. Our world is a complex matrix of vibrating energy.

Dr. Alicia Quesnel in: Ways of Hearing, Damon Krukowski

Hearing turns into listening. A conscious opening of the mind to sounds, a focused activity and act of will. A decision that a particular phenomenon or condition is worth noticing.

Notatki z terenu, Marcin Dymiter

Listening is the hardest when you stay too close. With time, our hearing and nervous system adjust to the environment, ignoring details, sound particles, and constant noises. The mind effectively ignores auditory niuances to the point where one can consider the sound environment as friendly, even though it is not. The longer we stay in a particular place, the less we hear, only reacting to new sound events, warnings, and signals that organize our life. Familiarity with a place silences the sounds. It’s a paradox. The environment we are part of loses its voice. The daily soundscape freezes in our ears like an old etching, a calm sketch in the eye of the beholder. An impulse is necessary to make it move and come to life. Even if the environment is lively, changing, and dynamic, it rests in our ears like a closed past. On the other hand, being in a new place opens up the ear. Everything surprises. It is new and dense.

Notatki z terenu, Marcin Dymiter

The ear’s only protection is an elaborate psychological mechanism for filtering out undesirable sound in order to concentrate on what is desirable. The eye points outward; the ear draws inward. It soaks up information. Wagner said: “To eye appeals the ourter man, the inner to the ear”.

The Soundscape, Our Sonic Environment and the Tuning of the World, R. Murray Schafer

The sense of hearing cannot be closed off at will. There are no earlids. When we go to sleep, our perception of sound is the last door to close and it is also the first to open when we awaken.

The Soundscape, Our Sonic Environment and the Tuning of the World, R. Murray Schafer

The ear’s only protection is an elaborate psychological mechanism for filtering out undesirable sound in order to concentrate on what is desirable. The eye points outward; the ear draws inward. It soaks up information. Wagner said: “To eye appeals the ourter man, the inner to the ear”.

Notatki z terenu, Marcin Dymiter

Whenever human beings exist they have a language, and in every instance a language that exists basically as spoken and heard, in the world of sound (Siertsema 1955). […] Indeed, language is so overwhelmingly oral that of all the many thousands of languages – possibly tens of thousands – spoken in the course of human history only around 106 have ever been committed to writing to a degree sufficient to have produced literature, and most have never been written at all. Of some 3000 languages spoken that exist today only some 78 have a literature.

Orality and Literacy: The Technologizing of the Word, Walter Jackson Ong

The condition of words in a text is quite different from their condition in spoken discourse. Although they refer to sounds and are meaningless unless they can be related – externally or in the imagination – to the sounds […] written words are isolated from the fuller context in which spoken words come into being. The word in its natural, oral habitat is a part of a real, existential present. Spoken utterance is addressed by a real, living person to another real, living person or real, living persons, at a specific time in a real setting which includes always much more than mere words. Spoken words are always modifications of a total situation which is more than verbal.

Orality and Literacy: The Technologizing of the Word, Walter Jackson Ong
Sound event map, Michael Southworth
Scanned from: Ways of Hearing, Damon Krukowski
The difference between hearing and listening / Pauline Oliveros
McGurk Effect (with explanation)
The Megaphone Men, The NYPR Archive Collections
Braxton’s Language Types
The whistled language of the village of Aas, Ossau Valley, Western Pyrenees, France, 1960